A topic discussed frequently by Canford’s technical support team is that of specifications for video cables, most particularly the suitability for reliable transmission of SDI signals. Dr. John Emmett here gives some background to the characteristics needed for high-performance digital video cables. John has enjoyed many stormy relationships with cables during his time managing audio and video standards work, starting with the AES/EBU interface in the early 1980’s. Currently he is Technical Director and CEO for Broadcast Project Research Ltd., a studio-based design and research group which may be found at www.bpr.org.uk.
Introduction
Although a video signal may be digital in nature, the entire cable route through which that signal travels has analogue characteristics. The analogue distortions produced by the cable include the following, which are listed in rough order of importance to a digital signal:
- Frequency dependent cable attenuation.
- Signal reflections.
- Phase distortion.
- Noise introduction.
While a digital signal will retain some ability to communicate its data despite a certain degree of distortion, there is a point beyond which the data will not be recoverable. When automatic equalisation is used in the typical Serial Digital Video Interface (SDI or HD-SDI), this failure “cliff” will be approached very rapidly. Indeed, the difference in cable length between that producing a trivial error rate and one producing an unacceptable mess, can be as little as 15 metres in several hundred metres of total length.
Serial digital video (SDI) standards
The Society of Motion Picture and Television Engineers (SMPTE) developed several interrelated standards for the electrical specifications of serial digital transmissions (SDI and HD-SDI):
SMPTE 259M: Covers digital video transmissions of composite NTSC at 143 Mb/s (Level A) and PAL 177 Mb/s (Level B). It also covers 525/625 component transmissions of 270 Mb/s (Level C) and 360 Mb/s (Level D). In current European use, level C is the dominant form, sometimes described as “270Mbit SDI”, or D1 component SDI, after the old D1 recorder that was one of the first users of this interface.
SMPTE 292M: Covers the newest format for HDTV transmissions at the single data rate of 1.458 Gb/s.
All these standards were specified to work with standard analogue video coaxial cables. The installation costs for any large video facility lie mainly in the cost of the cable system, so it made economic sense to use 75-ohm cable with BNC connectors as a recommendation, and this accelerated the introduction of SDI.
Coping with cables
Frequency dependent cable attenuation
There will be an automatic cable equalizer at the front end of most long-range SDI receivers, and typically it can be designed to equalise all serial digital data signals between 30Mbps and 622Mbps. The terminated input signal will pass through a variable-gain equalising stage whose frequency response closely matches an assumed inverse cable loss characteristic. This gain stage can sometimes provide up to 40dB of gain at 200MHz and this will equalise more than 350 metres of high-quality digital video cable used at 270 Mbit. A detector circuit produces an error signal corresponding to the difference between the desired edge energy and the actual edge energy of the equalised signal. This error signal is integrated by an external differential AGC filter capacitor providing a steady control voltage for the gain stage. As the frequency response of the gain stage is automatically varied by the application of negative feedback, the edge energy of the equalized signal is kept at a constant level. The equalised signal is then DC restored.
This then should give us an automatic method of correcting cable impairments. Well it should, but under two important conditions! Firstly, the transmitter end of the system must send signals with closely controlled amplitude and edge energy, and secondly, the cable attenuation is assumed to vary smoothly with frequency and match the values taken for the design of the equaliser. Whereas analogue signals can be equalised in relatively narrow-band chunks, even channel-by-channel, digital signals require a good cable performance across the entire frequency band at the same time.
Signal reflections
Return-loss (RL) is a measurement of signal reflected from the cable or destination, compared to the forward signal level. Therefore, the higher the numeric values in decibels of RL specifications, the better the cable. But wait a moment; with a digital signal we only need to tell a digital “one” level from a digital “zero”, don’t we? In that case anything more than 6dB should work? Well again yes, but jitter in the reception of the data edges will cause degradations, until after a few receptions and transmissions, the system will suddenly fail.
Return-loss headroom
In the SMPTE SDI Recommendations, the return-loss for cables is expected to be better than 15dB from 5MHz to 1.5GHz, with the upper frequency limit raised to at least 3GHz for HD cabling. In order to ensure that this minimum level of 15dB RL is met easily after all the rigours of installation, the cables used must meet very much better specifications than this directly from the manufacturer. Bear in mind also that other components in the installed transmission chain can also degrade the RL, particularly bad terminations or improper patch-bay connections.