Canford

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92-414 SHURE VP88 MICROPHONE Stereo/MS, cardioid and bi directional combined

each (ex. VAT) 1+
Price £ 680.00
Special order product. Order cancellations may incur charges
SHURE VP88 MICROPHONE Stereo/MS, cardioid and bi directional combined

Manufacturers description

VP88 Condenser Microphone

The Shure Model VP88 is a single-point, stereo condenser microphone for use in professional studio recording, field production, electronic news gathering (ENG), and studio broadcasting applications. It combines two condenser cartridges in a single housing to create a stereo audio image of the sound source. It is unique in its ability to capture the realism of a live event and yet withstand rigorous field production environments.

  • VP88 - Includes "Y-splitter" cable, foam windscreen, stand adapter, 6V battery and zippered storage bag. Phantom power or included battery required
  • See also VP64A/VP64AL microphones

Features

The VP88 uses a mid-side (M-S) configuration. One microphone cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern. The other microphone cartridge (Side) is bi-directional, capturing sound from either side. The VP88 contains an internal M-S matrix with three settings for different degrees of stereo image seperation. The internal matrix can be bypassed if an external matrix is used or if stereo imaging is done in post-production. Switches on the top of the microphone control output mode, stereo imaging, low-frequency rolloff settings, and battery on/off.

  • Time-coherent, Mid-Side (M-S) design for optimal stereo imaging
  • Built-in stereo matrix for direct control of the stereo spread; direct M-S outputs available
  • Mono compatibility ideal for broadcast applications
  • 40 to 20,000 Hz frequency response
  • Low noise and distortion
  • Wide dynamic range
  • Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise & stand vibration
  • Operates on phantom power or a 6V camera battery
  • LED power indicator
  • Internal shock mount for reduced stand vibration and handling noise
  • Built-in "pop" screen
  • Includes windscreen, swivel adapter, and Y-cable

Specifications

Type
Single-point stereo (MS configuration) condenser
Frequency Response
40 to 20,000 Hz
  view larger
Polar Pattern
Mid Cartridge: Cardioid (unidirectional)
Side Cartridge: Bidirectional
Output Impedance
Rated at 150 (100 ohms actual). Recommended minimum load impedance: 800 ohms (may be used with loads as low as 150 ohms with reduced clipping level)
Sensitivity (1 kHz, MS mode)
Open Circuit Voltage: -66 dB (0.5 mV) Mid. (Side level 1.6 dB higher than Mid level) (0 dB=1 V/Pa)
Side Level (Stereo mode; relative to Mid level)
Low: -6.0 dB; Medium: -1.9 dB; High: +1.6 dB
Clipping Level (1 kHz)
800 ohm Load (less than 1% THD)
-12 dBV (0.25 V)(Mid output, 1% THD)
-10 dBV (0.30 V)(Side output, 1% THD)
150 ohm Load (less than 3% THD)
-25 dBV (0.06 V)(Mid output)
-19 dBV (0.11 V)(Side output)
Maximum SPL
800 ohm Load: 129 dB
150 ohm Load: 119 dB
Hum Pickup
-4 dB equivalent SPL in 1 millioersted field (60 Hz)
Self Noise (Mid, Side, Left and Right outputs; equivalent sound pressure levels)
24 dB typical, A-weighted
28 dB typical, weighted per DIN 45405
Dynamic Range
105 dB (maximum SPL to A-weighted noise level)
Signal-to-Noise Ratio*
70 dB (IEC 651) at 94 dB SPL
*S/N ratio: difference between microphone output at 94 dB SPL and microphone self-noise A-weighted.
Overvoltage Protection
Maximum External Voltage applied to Pins 2 through 5 with respect to Pin 1: +/- 75 Vdc
Polarity
Positive pressure applied from any direction to the Mid cartridge or from the left to the Side cartridge in the MS mode, or applied from the front in the Stereo mode produces positive voltage on pin 2 relative to pin 3 (Mid/Left) and pin 4 relative to pin 5 (Side/Right).
Power
Phantom
Supply Voltage: 9 to 52 Vdc
Current Drain: 1.3 mA/output; 2.6 mA total
Battery
Type: 6 V cylindrical*
Life: 70 hours**
Current Drain: 2.4 mA total
*Silver oxide (NEDA 1406SOP), lithium (NEDA 5005L), alkaline (NEDA 1414A)
**Fresh silver oxide or lithium battery; 40 hours with alkaline
Environmental Conditions
Operating: -18 to 57 degrees C (0 to 135 degrees F) (Relative Humidity <90%)
Storage: -29 to 74 degrees C (-20 to 165 degrees F) (Relative Humidity <80%)
Cables
Y-Splitter Cable (supplied): 0.76 m (30 in.) vinyl-jacketed, dual� shielded, 2-conductor with 5-pin female XLR connector on microphone end and two 3-pin male XLR connectors on equipment ends.
Microphone Extension Cable (Model C110; optional): 7.6 m (25 ft.) vinyl-jacketed, shielded, 4-conductor with 5-pin male XLR connector on one end and 5-pin female XLR connector on other end.
Case
Brass and nickel-plated aluminum construction with stainless steel grille. Finished in satin black vinyl enamel
Dimensions
See User Guide
Net Weight
417 grams (14.7 oz) less battery and cable

User Guides

Description

SHURE MICROPHONES

A selection of the most popular designs are generally held in stock, but all the Shure range are available to order. Full brochures and data sheets are available on request. All types are 150 ohm output, with XLR connector, and are supplied complete with stand clamp, unless otherwise stated.

SM7B

Cardioid dynamic studio ‘on-air’ microphone, for radio and TV voice-over work. Switches for presence boost and LF roll-off. Yoke assembly for accurate positioning.

SM10A-CN

“Head mic” - uses same noise cancelling capsule as SM2. Intended for performers who sing as they play, or other applications requiring “hands-free” operation.

SM11-CN

Dynamic lavalier microphone, supplied with tie clip and tietack mountings.

SM48

Similar to SM58, vocalist and speech microphone, with cardioid polar pattern and enhanced mid range response. Frequency response 55-14000Hz.

SM57

Well known cardioid with presence boost for well defined drum, string and amplifier instrument reproduction. Frequency response 40-15000Hz.

SM58/SM58S

World standard rugged professional stage microphone, with distinctive Shure upper mid-range presence peak for an intelligible, lively sound. Frequency response 50-15000Hz. SM58S has integral on/off switch.

Beta 57A

In the style of SM57, but with extended LF and HF response. Tight hypercardioid response.

Beta 58A

In the style of SM58, extended HF response. Tight hypercardioid.

Beta 87A

The latest addition to the highly successful Beta series, this is a hypercardioid (uni-directional) electret condenser microphone for high quality vocal/handheld use. Designed for professional sound reinforcement, broadcast and studio applications, the Beta 87 retains its tight supercardioid pattern throughout the frequency range to provide extreme maximum isolation and feedback rejection. Highly effective shock mount system cuts handling noise to a minimum, rugged construction and grille.

Beta 87C

As Beta 87A, but with cardioid pick-up, which has reduced rear lobe and broader frontal pattern, which may be preferred by artistes using in-ear-monitors rather than wedge monitors.

MX183/MX185/MX184

Condenser lavalier microphones in omnidirectional (MX183), cardioid (MX185) and supercardioid (MX184) polar patterns, with single and dual-microphone tie-clips for placement flexibility. Also includes RK100P phantom powered belt-clip pre-amp, and snap-fit foam windscreen. Supplied with the relevant 'Microflex' capsules, so can be re-configured by using alternative pattern capsules - R183B; omnidirectional, R185B; cardioid, R184B; supercardioid (order seperately if required). Terminated with Tini-QG TA4F 4-Pin female mini connector and therefore compatible with suitable Shure wireless bodypack transmitters. Cable length 1.2m.

SM93

A diminutive lapel microphone, unusually, rectangularly shaped (9.4 × 5.8 × 3.8mm), the SM93 is equalised for optimum pick-up when worn on the chest. It is particularly suited to applications where the microphone is to be camouflaged by sewing into (black) clothing, using the bracket supplied, such as sound reinforcement for the clergy. A phantom powered pre-amplifier is provided, with in-line XLR style connector, to which it connects with a Tini-QG TA4F miniature plug.

MX392/MX393

Boundary layer microphones with interchangeable capsules. Available in omni (/O), cardioid (/C) and supercardioid (/S) versions, spare 'Microflex' capsules (R183B/5B/4B) permit change of response characteristics. Programmable membrane switches can be set to push-to-talk, push-to-mute or push-on/push-off modes. All electronics are housed in the base of the mic. These designs suit a range of applications such as conferencing, distance learning centres and churches. Each mic comes with a paint masking kit to allow the housing and the grille to be sprayed any colour to match the decor. MX392 also have logic control inputs and outputs, and have a fixed cable supplied unterminated. MX393 have detachable cable.

MX412N/MX418N

Miniature gooseneck condenser mics, available with two stem lengths, with high sensitivity and good gain-before-feedback. Gooseneck is 300 or 450mm long with a rigid section in the centre, helping to give a neater visual appearance. Mic capsule 11mm diameter, preamplifier incorporated into base, together with a variety of mounting options (locking flange mount, flush shock mount). Frequency response 80-20000Hz. MX412-N has 300mm stem, MX418-N has 450mm stem, both XLR plug-in types. Additional model MX412SE-N has side cable entry and surface mount flange. Body only, order 'Microflex' capsules separately; R183B; omnidirectional, R185B; cardioid, R184B; supercardioid

VP64A

Omnidirectional ENG handheld interview microphone, with extra high level output
(-71dBV, 0.28mV) and low signal-to-noise. Smooth presence peak with calibrated low-end roll-off tailored for speech, suppresses boominess and low frequency background noise while picking up voices with crispness and clarity.

VP88

Studio quality single point stereo microphone.

KSM32

Side-address cardioid condenser for studio recording and live sound productions. Exceptional low-frequency response, high input SPL capability and output level, extremely uniform polar response. Supplied complete with locking aluminium carrying case, elastic suspension shock mount and swivel mount. Available in champagne (KSM32/SL) and charcoal grey (KSM32/CG) finishes.

545SD

“Unidyne III” vocalist and drum microphone, with shaped response. Switchable high and low impedance, plus on/off switch. Frequency response 50-15000Hz.

565SD

“Unisphere 1” series are renowned for solving difficult acoustic problems in sound reinforcement, broadcast and recording. They have cardioid polar pattern and an extremely effective built-in spherical windshield to permit close usage without wind, noise or breath pops, switchable high and low impedance, plus on/off switch. Frequency response 50-15000Hz.

588SDX

“Unisphere B” series, economy cardioid, features similar to 565. Dual impedance, with on/off switch. Frequency response 80-13000Hz.

PG58

All PG (Performance Gear) series mics feature a cardioid polar pattern for reduced feedback.PG58 is a rugged dynamic mic for lead and backing vocals with on/off switch. XLR-XLR cable supplied. Frequency response 70-15,000Hz

PG48

Dynamic vocal mic for spoken word and Karaoke with tailored frequency response and on/off switch. XLR-XLR cable supplied. Frequency response 70-15,000Hz.

PG57

Dynamic instrument mic for acoustic and amplified instruments with tailored frequency response and on/off switch. XLR-XLR cable supplied. Frequency response 50-15,000Hz.

PG81

Electret condenser instrument mic for acoustic instruments with smooth frequency response and on/off switch. XLR-XLR cable supplied. Frequency response 40-18,000Hz. Phantom or battery (AA, supplied) powered.

PG52

Dynamic bass drum and instrument mic for with tailored frequency response and integral stand mount. XLR-XLR cable supplied. Frequency response 30-13,000Hz.

PG56

Dynamic drum mic for close micing snare, tom-toms and percussion with tailored frequency response and integral stand mount. Drum mount adapter AD50 (clips to rim of most drums) and XLR-XLR cable supplied. Frequency response 50-15,000Hz.

PGDMK4

Kit of four drum mics: one PG52 and three PG56, complete with four XLR cables and three drum mounts, in a durable case.

PGDMK6

Kit of six drum mics: one PG52, three PG56 and two PG81, complete with six XLR cables and three drum mounts, in a durable case.

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