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An extensive range of broadcast consoles, processing and transmission from leading brands including Allen & Heath, Sonifex, D&R, Cloud, Canford, BCD Audio, Glensound and TC Electronic.
A range of small-footprint, self-operated or producer-operated, broadcast mixing desks with telephone input channels, the XB series offers XLR microphone inputs, stereo channels…
The Sonifex S1 mixer is a compact, low cost, fixed-format mixing console designed for on-air radio use. It can be fitted flush into a desk-top or can be rack-mounted by the…
Following on from the Sovereign range of audio mixers, the S2 modular mixer combines all the features needed of a radio broadcast mixer in a stylish, flush-mounting chassis. A…
D&R Electronica have been designing and manufacturing broadcast mixing consoles since 1972. The consoles are designed for radio and television broadcast environments but are…
The Airmate-USB has been designed for deployment as an on-air radio mixing console or a production mixer. The rack-mounting chassis has eight input channels. Six have triple…
The Airence-USB on-air mixer is a radio production mixer, a 'smart mixer' with an integrated, USB-based control section that interfaces four stereo audio channels from and to an…
The Lyra console is a fully digital desktop production mixer for such applications as an on-air or production mixer in broadcast radio, as a reporter desk for standalone or…
Convenient building blocks to derive a mono output from a stereo input, perhaps for use to supply cue in broadcast environments or to feed a mono PA system for an annexe area…
For use in live broadcast programs to prevent unwanted or obscene material from being transmitted, this delay unit is intended for insertion in the studio output path. An…
Silence detectors are used to monitor an output feed and in the event of the signal going 'quiet' after a given period, switch through an alternative audio signal. This signal…
This system uses the classic 'offer-accept' principle to connect up to three studios to a transmission path and provides facilities for sustaining services and delay systems…
This product, very unusually, is a dedicated stereo, not dual-mono, system engineering device specifically designed for unobtrusive level control and overload limiting of…
This unit is used to synthesise a suitable mix to send to a telephone hybrid or codec to provide cue to a remote contributor. RB-MM1 A stereo output is taken from a mixer…
Analogue and AES audio The HG8/1 is an eight-input passive, balanced, stereo source-selector, housed in a 1U rackmount enclosure. A non-shorting “break-before-make”…
Intended for and installed at many transmitter sites, this programme changeover unit can select between two incoming stereo programme signals, and in the event of a failure of the…
The Signature SD1+ monitors an audio feed and in the event of that primary audio source falling below silence thresholds in level or time, switches to an alternative audio signal…
The RB-AEC is primarily designed for the benefit of studio personnel in television and radio. When a studio presenter's microphone signal is played out through a monitor speaker…
The DB6 broadcast audio processor is designed for use in environments from outside broadcast vans to TV studios and ensures the user can remain compliant to legislation and…
This selection of processors includes both a stand-alone level controller and systems which work in conjunction with a remote control or computer to help to remain compliant with…
The DB-4 mkII is a dual-engine loudness tool with redundant power, designed for broadcast centres such as regional television studios. Using this hardware along with the TC Icon…
The DB-8 mkII is a loudness tool with four processing engines and redundant power, designed for larger broadcast centres. Using this hardware along with the TC Icon remote or a…
The D22 is a high-resolution, broadcast, delay processor that has been designed for broadcast studios where slight adjustments are required so the audio output is synchronised…
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